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VT[4] Features (1/8)
Power, flexibility and complete control of the finished product are the ultimate requirements in the fast-paced world of broadcast, and nothing fits the bill like NewTek's VT[4]: real-time, uncompressed, multi-format, multi-standard editing with the smoothest and fastest workflow in the industry. With Aura Video Paint™ and LightWave 3D® included, you have everything you need to create and bring to air pristine and compelling productions from a quick-but-beautiful logo or bumper to a polished 15-second spot to a full-bore richly post-produced prime time network television show.
"NewTek's VT[4] allows us to complete projects under ridiculously short deadlines by letting us do in minutes work which would otherwise take hours," said Rich Helvey, lead animator for NBC's Access Hollywood. "With its tight integration with LightWave and Aura and its own robust set of video editing tools, VT[4] lets me be as creative as I want to be - sometimes even more! And the real-time operation - I really miss all the free time I used to have while waiting for a render to finish..."
“We use VT[4] on a daily basis for producing on-air graphics, station promos and local commercials,” said Tim Johnson of KUTV Channel 2, Salt Lake City, UT. “We rely on VT[4] for its beautiful uncompressed output and as a framebuffer for LightWave and After Effects. VT[4]'s tight integration with our other production tools speeds up the workflow just incredibly."
VT-Edit is so intuitive and flexible that you can instantly create rough cuts, and re-arranging clips will not interrupt workflow or change the length of your ad or segment. And when it comes to airtime, VT-DDRs (Digital Disk Recorders) are the fastest way to organize your spots, titles, bumpers, framestores, and pre-produced segments and play them back on cue or automatically.
Paul Goldberg's Hollywood New York produces a number of shows, including MuscleSport USA for Fox Sports. Paul was astonished when he first tried VT-Edit: "The workflow was just incredible, because of the smart way things are set up, including input features such as reset, chop, quick deletes, and renaming on the fly. I just did in five hours the same amount of work on the show that normally would take me twenty hours or more, including digitizing as I go along. This thing really smokes."
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